Interviews and reviews

Le premier récital en France de Salome Jordania - Cultura 31 serge chauzy

Jordania manages to trace the paths of the heart, of the emotions to make the attentive and diligent listener climb those peaks of intensity and marine depth. Those waters that are vital substance for every being who knows he has to face a world of many emotions. It is obvious, perhaps it is even trivial to confirm how much Jordania’s skill goes hand in hand with a technical expertise that is the natural familiarity of a personal dynamic.
— Marco Ranaldi
Her touch is delicate, caressing, her phrasing is of great freedom as if she was inspired by great pianists from a remote past - the memory of Paderewsky flashed through my mind.
— Jorge Coli, “CONCERTO”
In Ravel’s Waltz, Salome Jordania magnifies the whirlwind of dance emerging from the keyboard paste which she makes radiate, in an almost symphonic coloring.
— Gilles Charlassier from "Classic Agenda"
A display of panache and light which translates what is perhaps the essential characteristic of Salome Jordania’s art, her obvious joy in playing!
— Serge Chauzy from "Classic Toulouse"
An amazing display of subtle colours and pulsating rhythms that was truly hypnotic.A technical command of the keyboard that could accomodate Ravels’ cruel obsession with clockwork precision and turn the notes that swept across the keyboard in all directions into a cauldron of Scriabinesque ‘satinery’
— Christopher Axworthy